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It's not a fantastic story, and by all accounts it's not a great motion picture. "The Ghost of Peter Sellers" isn't a tragic movie about a movie that could have been a work of art; it's an autopsy of a production gone terribly wrong from the start. The budget was low, the script wasn't prepared and Sellers then the biggest funny star on the planet was in a challenging, depressive state after breaking up with his sweetheart Liza Minnelli, doing whatever in his power to postpone and even cancel the production.

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Fu Manchu." It's not rather character assassination: Sellers was understood for being a managing existence on his sets, and the directors are to this day in wonder of his talent. Sellers was doing what he thought was needed to make a great motion picture. He just didn't seem to provide a damn about what any person else believed.

Interviews with member of the family and assistants paint the image of a man who lost himself within characters and most likely suffered from an undiagnosed mental illness. There's an argument to be made that the entertainment industry benefited from an unsteady person like Sellers, whose personality type, for much better and even worse, made him a significant box-office draw.

It's here to make Medak feel better about himself. Medak explains a youth that filled him with a lifelong guilt complex, and in reliving his greatest artistic failure, he seems a little desperate to let himself off the hook - where to watch the ghost of peter sellers. The discovery of behind-the-scenes letters from his manufacturers, accusing him of incompetence and conspiring to undermine his authority on set, appears to offer Medak a sense of relief.

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And sure enough, the production of "Ghost" was by all rights an overall, miserable headache. The expensive pirate ship they developed sank on the very first day, prior to recording began. The manufacturers were fired after the very first week. Disrespected regional additionals stole outfits, which needed to be purchased back from them at local markets.

"I mean, I wish to kill individuals," Medak states, in easy to understand disappointment. "However they're all dead." "The Ghost of Peter Sellers" seems to have been cathartic for Medak, who says that making fiction gives him manage over the anxieties that plague him. So making this documentary, and entirely reframing the story of his failure most likely helped him carry on from all these unhappy memories.

It's an entertaining collection of tragicomic anecdotes, but the collective contemporary disinterest in "Ghost in the Noonday Sun" robs those tales of much required importance. The documentary does not brighten much about Sellers, and certainly does not go far enough in describing his genius, his frailties, or perhaps the real, human factor why he was so unbearable personally.

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It does not even look like the failure of "Ghost" had a huge effect on Medak's profession, given that he went on to direct dozens of productions, movies and television alike, some of which went on to great praise. "The Ghost of Peter Sellers" is a film that appears to have been made by Medak, for Medak - the ghost of peter sellers.

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